Joel Smith and Troy Tamura, University of Oregon
Submission 0159
Weaving The Urban Fabric
Our concept was derived from the idea of weaving the arts within the urban fabric of Boston. One of the ways to expand the Boston Center for the Arts’ presence into the public plaza was to incorporate paving patterns that accentuate the different programs that the BCA has to offer, including restaurants, galleries, and the future jazz café. To accommodate the various performances, exhibits, and events throughout the year, a public amphitheater and performance stage was added. To define the intimacy of the plaza, a bosque of Red Maples in addition to the amphitheater was added to provide shade for mobile café tables and chairs during the summer months. Through the square modules of granite bandings, the trees magnify the intimacy of a social dwelling. To further the connection of the BCA to the Urban Fabric of Boston, entry markers were utilized to signify components of the Kiosk and the dome of the Cyclorama. Through the form of the entry markers, one can gain a sense of place and clarity through aesthetic architectural similarities. The artists’ courtyard drew its paving patterns from the same axial lines as the plaza and entrances. Trees lining the north edge of the courtyard provide a green transition and welcoming entrance when viewed from the Clarendon street corridor. The focal point of the courtyard would be a stage to display various exhibits of local artwork. In conjunction to the artists’ courtyard, the main entrance to the Cyclorama will be highlighted by up lighting that is integrated into the paving pattern.
